Friday, October 14th, 2011 If you’re just jumping on board, you might want to read last week’s prompt where I discussed one method of building characters for your stories.
This week, we’ll use the same method for coming up with some interesting situations to put them in: a bone for your muse, so to speak.
Here’s Your Prompt:
As you did last week, divide a sheet of paper into thirds and label the first third, “Article of Clothing/Weapon/Random Object,” label the second, “Event or Action,” and label the third, “Emotion, Feeling or Mood.”
(If we were in grade school, I’d make you fold the paper into the three sections, and complete each column before moving on to the next. But you can do this anyway you want. However, I caution against writing across the row, because it’s too easy to come up with hackneyed situations, for example: bouquet, a wedding, happiness. Yuk!)
The first column should be filled with words or phrases such as: chain mail armor, dagger, persimmon.
If you’re having trouble coming up with words on the list, try the Random Noun Generator, which lists up to 10 words at a time. (Not all of them are nouns, unfortunately. You may need to push the generate button a few times to get enough words for your lists.) But do try on you own at first, it’s always good practice to think!
Seventh Sanctum has a Random Weapon Generator, but the weapons are fictional. You’ve got to decide what they do.
The second column should list words such as: “the wedding of the century,” “someone sneezed,” “a robbery,” “a car broke down,” etc.
The third column should be filled with emotions, feelings and moods, such as: mad, happy, glad, forlorn. Try to find some nuances among these, instead of sticking with the mundane. If all you can think of are “the usual,” write down the first ten (10) on a different sheet of paper, and then toss it out. Dig deep into your mind.
Article of Clothing/Weapon/Random Object |
Event or Action |
Emotion, Feeling or Mood |
dagger |
war |
hurt |
chainmail |
a cough |
mistrusting |
orange |
choking |
offended |
pot of coffee |
went forward in time |
furious |
Now comes the fun part: choose one item from each column (and never more than one item from each row). You’ll use these to write a scene with the character you created last week.
For a true sense of randomness, use a random number generator from Random.com to pick the item from each column.
I suggest, however, that you choose the event or action which will most upset your character. Conflict will make the scene much more dramatic.
A point of note: I used quotes around the phrase “Good Characters” in the title because I mean good in the sense of well crafted, rather than meaning a goody-goody character. Similarly, “bad” in the title means “unfortunate for your character” rather than (necessarily) dire.
So, your (well-crafted) pre-teen gang member might hate to attend that wedding of the century, or worse, be a bridesmaid.
Once you’ve picked from each column, write the scene described with your character.
Tuesday, October 11th, 2011 There’s been a lot of upheaval in my writing life lately, some of it spilling over from my personal and work life.
There’s the lost manuscript.
The mismanaged roofing job which resulted in water damage in the house.
The fact that because of said water damage I’ve been working out of my kitchen. (These high stools are killer on your back muscles when you’ve been sitting for a while…)
More stress at the day job than I can adequately describe in one sentence. (Trust me, it’s the stuff of a novel-length tell-all…)
There’s been some good stuff, too — I just had a wedding anniversary — but if the state of the kitchen table is any indicator of what’s going on: things are out of control.
It’s time to reign in and re-boot.
It also means focus.
I’ve been concentrating on the new stuff while I’ve got a pile of perfectly good finished stuff just sitting around. I’ve had some rejections come in (fact of life, folks, if you plan to be a writer) and I haven’t sent them back out to new markets yet.
They need to be sent off to new homes in hope of fosterage!
I haven’t decided if this current morass means I need to re-examine the goals I made in January. I need to dig out of the muck and see what’s left before I determine that.
So last night I updated my calendar from all the multiple input sources and printed it out through December 2012. (Just for fun, I stopped printing at December 21 and marked the end of the world. Remember: life is WORTHLESS without humor.) Then, I updated all my tickler files and writing deadlines.
Tomorrow… I have a class, so I’ll have to wait until Thursday to go through the finished projects and make plans for their distribution.
Then: I’m going to attack the unfinished writing projects like paying off debt: the projects which are closest to completion get written down first, thereby knocking out as many as possible, in as little time as possible.
And, damn the muse! I’m not starting anything new until all these are off my plate. (She’ll get me for that, I’m certain.)
How do you approach a re-organization?
Friday, October 7th, 2011 I couldn’t decide whether to quote Hemingway or Twain, when it comes to discussing characters.
“A writer should create living people; people, not characters. A character is a caricature.”
~Ernest Hemingway
Hemingway gets right to the heart of it, but Twain’s irreverence takes it a step further: echoing Hemingway’s thoughts, but noting also that it’s what authors do with those characters that makes us want to keep on reading.
“The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell, together, as quickly as possible.”
~Mark Twain
Twain’s right: We want to see those characters bound in figurative chains, writhing in agony, in whatever cesspit of a situation that will make them the angriest, or saddest, or vengeful. That makes good reading.
Characters are more than their eye color, how they dress, and their physique. So, to write a great story, we’ve got to get into the psyche of the character, know his loves and hates, what makes him tick and how he’ll react, and then expose him to the very flames which will make him twist.
When you know your character well, you’ll find story and plot ideas will leap out of the knowledge, begging to be written.
Here’s Your Prompt:
Build a character by identifying traits, phrases and situations which can be mixed and matched. Divide a piece of paper into thirds and write “Adjective” at the top of the first column, “Person or Profession” at the top of the second, and “Phrase or Situation” at the top of the third.
My example:
Adjective |
Person/Profession |
Phrase/Situation |
lonely |
middle-aged woman |
“Deuces wild, jacks or better to open.” |
deviant |
seer |
missed the bus |
belligerent |
teenager |
broken down on the side of the road |
venomous |
wizard |
lost in Detroit City |
The tendency is to write across the page, filling out the row…but I urge you to fill in the columns instead. It’s too easy (see my belligerent teenager? My lonely middle-aged woman?) to come up with ‘cardboard’ characters while filling in the blanks.
While you’re at it, choose some interesting adjectives and situations. Challenge yourself to find words and labels beyond the ordinary.
Do you write in a particular genre? Then choose appropriate words and situations. If you write fantasy, stay away from the mundane. Include wizards and gremlins and dragons on the page. Sci-fi? Add some interplanetary locales or some phrases based on future tech. Victorian romance? You get the idea…
Write to the bottom of the page, more if you can. Do the same, even if you’re typing. The more options you have the better.
Once you’re done, choose an item from each column and meet your new character. Try unusual pairings to see what you can come up with. At no time can you use any two (or three!) items from the same line.
Write a few sentences about your new character. Why is the middle-aged woman venomous? How did a teenager from (fill in the blank) get lost in Detroit City? Decide how your character got to be this way: give him or her a little back story. Judging from that, what are your characters likes and dislikes?
Next week: we’ll find some awful situations to put your characters in!
Friday, September 30th, 2011 I always get a little itchy around the change of seasons — for a change of scenery — particularly during Autumn.
Is it because I know Winter is just around the corner and I’ll be cooped up inside? Or, is it the allure of Fall foliage that has me wanting to gad about?
I’m not sure.
It could simply be the weather. (I stepped out onto the porch this morning into bright, clear sunshine, hot on my arms, coupled with a cool breeze. Perfect hiking weather.)
Or, it could be I need of a change of pace.
Whatever.
The ache is there, simply to get away.
Here’s Your Prompt:
Go somewhere you’ve never been before, and write. Do you frequent the same coffee bar to write? Try a different one. Do you go to the same park? Try a different bench, with a different view. Turn your back on the old one.
The point here is to see something different while you’re writing.
Can’t get out of the house? Write in a different room (or on the front porch, or even in the hallway.)
If this isn’t appealing, pull out some old snapshots of places you’ve been, or postcards you’ve received. Give them a good look and write about what you see.
Open an atlas, or spin a globe. Close your eyes and let your finger drop down on a location. Write about it. Don’t do any research, just write what you know. If you don’t know anything, make it up. Write what you think the scenery might look like, and how the people look and talk and act. Write about the things you could do there.
Before you begin your journey, don’t forget to write a farewell letter.
Friday, September 23rd, 2011 Happy Autumnal Equinox!
Today is the first day of Fall, my favorite season.
I love crisp weather, the smell of woodsmoke, and the changing of the leaves. I’m also a big fan of shorter days and longer nights. (I love the night!) And, I can’t wait to wear all those things I’ve been knitting.
I love fall colors…crisp, red apples; heavy, orange pumpkins; papery, yellow leaves.
Summer is a shadow — a watered down step-sister — of her vibrant kin Autumn, and I’m glad she’s moving on.
Fall is rich in sights and sounds that just aren’t as available in the summer months. It’s like Mother Nature turns a switch and suddenly, instead of these hazy, lazy, sultry days, we’ve got sound and motion when the wind rattles dried leaves still on the branches; and, we’ve got rich color in pumpkins and gourds and mums; and we’re bombarded by the perfume of pie, and wood smoke, and simmering stew and baked turkey.
Yum! Autumn is a hedonist’s delight!
Here’s Your Prompt:
A veritable cornucopia of writing prompt ideas…
- Write an essay about something you did or remember during the Fall when you were growing up — something you have strong feelings about, good or bad: raking leaves, carving pumpkins, sneaking cigarettes outside in the cold, a bonfire, a family get together.
- Word Association: Harvest time. Falling leaves. Corn mazes. Acorns. Pumpkins. Scarecrows. Hay rides. Halloween. Haunted Houses. Thanksgiving.
- Tell a ghost story: one you’ve made up, or one you or someone you know has experienced.
- Imagine that you (or your character) is forced to live outside though Fall and Winter. How would you survive? What would be the worst part about it?
- Write about the changing of the seasons. How they affect you or your characters. What’s bad about the change? Or good? What if the season never changed?
- Write about your favorite season. Why is it your favorite? what makes it better than all the others?
- Write about your least-favorite season. Why do you dislike it? what makes it the worst time of year?
Tuesday, September 20th, 2011 Word count meant a lot more to me when I worked for the newspapers. I hated being assigned “20 inches” to write a story, and then having to cut it down to 15 when a fire broke out on Broadway and that story required some of my space.
But word counts are important in non-fiction, too (even if the advent of the ebook has us writing longer and longer works.)
I’m currently working my way through a finished manuscript that’s about 125,000 words long. Ideally, I’d like to cut it back to the 85,000 – 95,000 word range, but I’d be happy with 100k.
So, after debating about several scenes which I removed, I’m left with tightening up the manuscript’s wordiness to pull it together.
To tighten it up, I’m omitting:
- Adverbs, and replacing the modified verbs with more specific ones.
- “To be” constructions: sentences that start with “It is…” or “There are…” can usually be reworded in a shorter form.
- “To be” appositives. (An appositive is a noun that names another right beside it in the sentence.) For example: Reliable, Diane’s eleven-year-old beagle, chews holes in the living room carpeting as if he were still a puppy. Example (and more information available) from: http://www.chompchomp.com/terms/appositive.htm
- Possessive Constructions. (Too much use of the word “of.”) Reword or turn phrases around to get rid of it.
- “Excessive” mood setting, scene setting, internal and external dialogue. (Chop! Chop! Chop!)
Here are some things you can do to tighten up non-fiction:
- Make contractions. (I used to feel this was cheating, but I don’t anymore.) 🙂
- Similarly, get rid of coordinating conjunctions between complete sentences. For example: I hate to waste a single drop of squid eyeball stew, for it is expensive and time-consuming to make. When every word counts, deleting these words works wonders. More about coordinating conjunctions here. (The cool example came from there, too.)
- Get rid of rhetorical comments, parenthetical statements, and/or your own editorial comments*.
* Unless it’s an opinion piece, of course!
What tricks do you have to tighten up your prose?
Friday, September 16th, 2011 Haiku is a form of Japanese poetry consisting of (usually) one stanza of verse.
Traditionally, the first and last lines contain 5 syllables and the second line contains 7.
More strictly:
The soul of a haiku poem is a “cutting” word – which separates two ideas – but also shows how the two ideas are related.
Most pre-19th century Haiku also contain a “kiro” – a seasonal reference in the poem. These kiro come from a strict, delineated list of words, mostly references to nature (which made some folks mistakenly conclude that all Haiku are written about nature.)
Finally, traditional Haiku are written vertically, instead of horizontally. (I love the visual appeal of words tumbling down the page.)
Here’s Your Prompt:
We’re not going to be strict today. Simply write a haiku of three lines, containing 5, 7, and 5 syllables (in that order). Write it about some recent event or something you feel strongly about.
Bonus points if you post in the comments!
Here’s mine:
Displaced, dispossessed
No office to call my own.
It rained in the house.
~~~~~~~~~~~~~~~~~~~~~~~~
The image used above comes from the website Alice nel paese delle gozzoviglie.. It also contains the translation in English.
Friday, September 9th, 2011 A lipogram is a form of writing (or word game) which forbids the use of a particular letter or letters. Generally, a lipogram forbids the letter ‘e,’ one of the most common letters in the English language. But many variations have been used.
Entire novels have been written in lipogram. For instance, author Walter Abish wrote Alphabetical Africa, constraining each chapter by alphabet. Chapter 1 uses only words beginning with the letter A. Chapter 2 allows words beginning with A and B, until Chapter 26, which permits all 26 letters of the English alphabet. The second half of the book removes letters in the reverse order in which they were added. Z words disappear in chapter 28, Y words in chapter 29, etc…
Over at the site, Curious Notions, the nursery rhyme “Sing a Song of Sixpence” is re-written several times. Here is just on example:
Original:
Sing a song of sixpence
A pocket full of rye.
Four-and-twenty blackbirds
Baked in a pie.
As the pie was opened
The birds began to sing.
Wasn’t that a dainty dish
To set before the King?
The King was in the counting house
Counting out his money.
The Queen was in the parlor
Eating bread and honey.
The maid was in the garden
Hanging out the clothes.
When along came a blackbird
And pecked off her nose. |
No Is or Ss:
Croon a kreutzer canzonet,
A pocket full of coal,
Four-and-twenty waterfowl
Baked beneath a roll.
When the roll unfolded, well
They all began to peep —
An elegant entrée that made
The Monarch clap and leap.
The Monarch, under lock and key,
Computed all the money.
The parlor kept the Queen, who ate
Of bread and clover honey.
The flower garden held the wench,
Who hung the wool and lace.
A crow appeared and plucked the olfact’ry
Organ from her face. |
Here’s Your Prompt:
Re-write a famous nursery rhyme, poem or saying in the style of a lipogram.
Here are some resources you may need to help you:
Friday, September 2nd, 2011 A drabble is a 100-word story, not including the title, which can be up to 15 words. (Here, you can read about the history of drabbles.)
When I was an editor at NFG Magazine, we published a similar bit of flash fiction in the form of a contest: 69ers – short stories of exactly 69 words, including the title. (Here, you can read all the 69ers published by NFG.)
(Until Twitter came along, these were the ultimate in Flash Fiction.)
Here’s Your Prompt:
Write a drabble or a 69er. Stick with their respective rules: if you write a drabble, it must be exactly 100 words and can include a title of 15 words or less. If you write a 69er, the title (required!) must be counted in the 69 words.
Need a plot to get started? Here are some nifty plot generators:
Monday, August 29th, 2011 I got to thinking of writing productivity cycles when I got to work this morning.
I left the house at 5:30 a.m. in total darkness.
An hour later, I arrived at work: Pink skies lighting up the day, the sun finally cresting the horizon. Fairly soon, it will be dark when I leave and still dark when I arrive.
Inside, I did a little happy dance: fall means more writing for me. More time at the computer, more time with my butt in the chair, more time with my hands poised above the keyboard…because there are more hours of darkness than light.
(I caught myself thinking this morning: It shouldn’t be so dark in the morning, yet! Doesn’t this normally occur in October or November? I’m a firm believer that a.m. darkness should be accompanied by cool weather, a windy chill, and maybe some dry leaves tumbling by.)
Fall is my favorite season, but I’m never quite prepared for it.
Nonetheless, I’m tickled: not only do I love all those wonderful Fall things to embrace (orange and yellow mums, cool sweater days, crisp evenings on the deck, Halloween!), but I can look forward to putting more words on paper.
It’s not that summer has me playing hooky (though it’s true: I blew off more than a day or two of writing this summer to do something else.)
It’s that I find myself more productive — itchy to write, even — once the sun goes down. And with fall bringing shorter days and longer nights…well, it’s a no-brainer: I’m going to be racking up the word count. (And along with it, more completed projects, I hope.)
I enjoy writing at night. There’s something about the enveloping darkness that allows me to concentrate better.
What about you? Fall: love it or hate it? Do the changing seasons affect your writing? Are you a daytime or nightime writer?
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