A review of Jonathan Strange & Mr. Norrell by Susanna Clarke for my Fill in the Gaps: Project 100 list.
Jonathan Strange and Mr. Norell is an alternate-history (or fantasy) that’s set in 19th-century England during the Napoleonic Wars. It’s based on the idea that magic once existed in England and that it will be brought back with the help of two practicing magicians: Gilbert Norrell and Jonathan Strange. The story centers on their relationship (or lack there of) as they make England into a land where anyone can perform magic.
I looked forward to reading this book, particularly because it is a Hugo winner. In the end, I was disappointed. I could not finish the book fast enough. I found it completely intolerable.
Ms. Clarke writes in (my opinion) an archaic style akin to Charles Dickens and Jane Austen, and, in fact has been criticized for writing a pastiche of them (and others). While I agree that her style mimics many of the old classics, I think I’d draw the line prior to pastiche. Although, like many of the classics, I feel that the book sufferers from extreme wordiness and could have benefited from some judicious trimming….probably 300-500 of the nearly 800 pages comprising this tome could have been deleted.
A good editor could have made this an outstanding read. I felt that there were so many words–such a lack of focus–that as I read, I continued to ask myself…so? So? SO!? Had I not committed to reading this for the Project 100, I’d have quit reading very early on. Very little held my attention. This is sad, because the story is such an interesting one.
Still, the book is not without its merits. There were occasions when Ms. Clarke created the perfect turn of phrase and wonderful lyrical description. Her world-building is superb. If only one didn’t have to plod slowly through the muck to get to the beauty.
As I complained while I read, one friend told me that the last 100 pages makes the entire book worthwhile. I disagree. The pacing did pick up toward the end, almost feeling as though the book raced to its conclusion. It did become more focused–loose strings were tied up–but it failed to provide me with the satisfying conclusion I’d longed for after investing so much time. I found it lacking.
If you like Dickins and Austin, you might like Johnathan Strange and Mr. Norrell. For me, I won’t be picking up the sequel.
Post Script: I failed to mention one of the most annoying things about this book: fictitious footnotes. There were hundreds, printed in minute type at the bottom of the page, often spanning two or more pages. The most annoying of the annoying were the footnotes which referred to other footnotes in different chapters of the book.