Monday, September 13th, 2010

Hellebore and Rue: Cover and TOC Announcement!

Cover of Hellbore and Rue Anthology
Drollerie Press just announced the cover of their upcoming anthology, “Hellebore and Rue.” Isn’t it gorgeous? I love the eye-catching color of the woman’s hair on the stark black, white and gray background.

The anthology is due out in mid-October…and I’ve got a story in it!

(And, look! My name’s on the cover!)

My story, Sky Lit Bargains, is about a woman who is forced to leave her home or face the repeated, escalating sexual advances of her new brother-in-law. Trained for warfare, rather than domesticity, Sigrid crosses the channel to her Uncle Gervais’ keep and makes a bargain with him to kill the wyvern plaguing his lands. Her plans go awry when she’s followed by her best friend (and sorceress) and her brother-in-law’s guards…

I’ll post an excerpt once I get a go-ahead from Drollerie.

Here’s the Table of Contents (TOC):

“Counterbalance” by Ruth Sorrell
“Trouble Arrived” by C.B. Calsing
“Personal Demons” by Jean Marie Ward
“The Windskimmer” by Connie Wilkins
“Sky Lit Bargains” by Kelly A. Harmon
“Gloam” by Quinn Smythwood
“Witches Have Cats” by Juliet Kemp
“D is for Delicious” by Steve Berman
“And Out of the Strong Came Forth Sweetness” by Lisa Nohealani Morton
“Bridges and Lullabies” by Rrain Prior
“Thin Spun” by Sunny Moraine
“A State of Panic” by Rachel Green

Read more about Hellebore and Rue.

Thursday, May 13th, 2010

The Appeal of Fantasy

I’m over at Rachel Brimble’s today, talking about the appeal of the fantasy genre.

Please stop by and leave me a comment. I’d love to know what you think.

Tuesday, August 18th, 2009

Murder, Betrayal, Comeuppance…

Cover of Blood Soup by Kelly A. Harmon Murder, Betrayal, Comeuppance…

That’s the tagline for my novella, Blood Soup, available from Eternal Press on September 7. The “Coming Soon” announcements page has recently been posted. You can see it here.

Blood Soup will also be available in print via Amazon, about three weeks after the electronic version.

Do you tweet? Do you like FREE fiction?
I’ll be running two twitter contests related to the book, both on September 7th:

First: The 25th and 50th person to re-tweet my announcement on the 7th will win an electronic copy of Blood Soup.

Second: Anyone who buys Blood Soup will also have the opportunity to win print versions of Triangulation: Dark Glass and Black Dragon, White Dragon (two anthologies that some of my other work appears in) just by tweeting specific information from Blood Soup. For instance, I’ll tweet: What’s the last word on line 4 of page 22? Give the correct answer and you may win a book. I’ll give away up to five print versions of these books. More details to come closer to the launch date. In the meantime, you may want to follow me on twitter: @kellyaharmon.

Excerpt from Blood Soup:

Theodicar looked down at the mewling infant in his arms, and felt the anger rise up. Even in death his wife defied him, the nurse ensuring her success. Women did not rule. He would not allow it. They had created a male child, and that child would take the throne upon his death. “You can save the boy,” he said to Salvagia.

She slitted her eyes at him, her stare mutinous. Her words were loud and hard in the wake of Pia’s death. “I have the power to save one at the expense of the other, Sire. The girl is stronger. And eldest. She was born to rule.”

Theodicar watched the girl curl up in his arms, her birth fluids staining a brown patch on the dyed-yellow wool of his tunic. She burrowed into the crook of his elbow, trying to achieve the comfort of the womb.

“I will not hear those words again,” he said. “That absurd idea died with my wife. My son will rule.” He reached for the boy, thrusting the girl child back into the nurse’s hands. “There’s no need for a daughter. And no need for anyone to know of her.”

“So be it,” Salvagia said, wrapping the weary girl in a square of wool, covering her face. She reached for her basket.

“Kill her now,” said Theodicar.

Salvagia looked stricken.

“Sire, if we kill her now, she will be of no use to her brother. Once dead, the blood won’t flow, and we need her blood to strengthen his.

“Then drain her now,” he snapped. “I will not have her crying out when we call the witnesses back to cut the boy’s cord.”

She paled, but nodded, and grabbed the necessary implements from her basket. She did the job quickly, tears streaming down her face. To keep it warm, Salvagia set the flask of blood in the ashes at the edge of the hearth. Then she wrapped the tiny body in linen and shoved it deep into her basket.

“Your life is forfeit if you speak a word of this to anyone,” Theodicar said. “Do you understand?” She nodded, pushing the basket out of view.

He sat down in his chair. “Call the witnesses back. We’ll sever the cord in their presence to prove the succession. Wipe those tears,” he said.

Sunday, June 14th, 2009

Jonathan Strange & Mr. Norrell: Too Many Words

Cover of Jonathan Strange & Mr. NorellA review of Jonathan Strange & Mr. Norrell by Susanna Clarke for my Fill in the Gaps: Project 100 list.

Jonathan Strange and Mr. Norell is an alternate-history (or fantasy) that’s set in 19th-century England during the Napoleonic Wars. It’s based on the idea that magic once existed in England and that it will be brought back with the help of two practicing magicians: Gilbert Norrell and Jonathan Strange. The story centers on their relationship (or lack there of) as they make England into a land where anyone  can perform magic.

I looked forward to reading this book, particularly because it is a Hugo winner. In the end, I was disappointed. I could not finish the book fast enough. I found it completely intolerable.

Ms. Clarke writes in (my opinion) an archaic style akin to Charles Dickens and Jane Austen, and, in fact has been criticized for writing a pastiche of them (and others). While I agree that her style mimics many of the old classics, I think I’d draw the line prior to pastiche. Although, like many of the classics, I feel that the book sufferers from extreme wordiness and could have benefited from some judicious trimming….probably 300-500 of the nearly 800 pages comprising this tome could have been deleted.

A good editor could have made this an outstanding read. I felt that there were so many words–such a lack of focus–that as I read, I continued to ask myself…so? So? SO!? Had I not committed to reading this for the Project 100, I’d have quit reading very early on. Very little held my attention. This is sad, because the story is such an interesting one.

Still, the book is not without its merits. There were occasions when Ms. Clarke created the perfect turn of phrase and wonderful lyrical description. Her world-building is superb. If only one didn’t have to plod slowly through the muck to get to the beauty.

As I complained while I read, one friend told me that the last 100 pages makes the entire book worthwhile. I disagree. The pacing did pick up toward the end, almost feeling as though the book raced to its conclusion. It did become more focused–loose strings were tied up–but it failed to provide me with the satisfying conclusion I’d longed for after investing so much time. I found it lacking.

If you like Dickins and Austin, you might like Johnathan Strange and Mr. Norrell. For me, I won’t be picking up the sequel.

Post Script: I failed to mention one of the most annoying things about this book: fictitious  footnotes. There were hundreds, printed in minute type at the bottom of the page, often spanning two or more pages.  The most annoying of the annoying were the footnotes which referred to other footnotes in different chapters  of the book.