Friday, April 12th, 2013  I’m looking to purchase another robot floor cleaner.
I’ve had both the iRobot Roomba and iRobot Scooba robots: one to vacuum and one to wash the tile floors.  
I loved them both…
..to death, you might say. As both have been used long past their usefulness. It’s time for a new pair.
(I’m doing research, since there are a few more manufacturers on the market since I bought my first, but I’m still leaning toward the iRobot brand at this point.)
But as much as I love them, I want something more. Something like…
…Rosie the Robot, from the old cartoon series, The Jetsons.
She dusted, she did the dishes, she ironed. And she talked back. If you’re going to have robot help, you might as well have something which also speaks its mind. It could come in useful:
Me: What do you think of Chapter 3, Rosie?
Rosie: Where’s the drama? It just drones on and on without passion. Too many adverbs. Not enough dialogue.
You get the idea.
I could think of another million uses, too. Like: making sure there aren’t any stinkbugs in the house, pulling the weeds in the front garden, and watering all the plants. Oh, yeah, and making dinner. I can’t tell you how many times I’ve burned dinner while diddling over a scene.
While she’s at it, she could pay the bills, balance the checkbook, and make sure everything is filed away nice and neat… because those piles of paper tend to linger around here until they’re a fire danger.
So…
Here’s Your Prompt
- What job in your life would you like to see replaced by robot — or appliance — help? How would it change the way you do things?
- Write a story about this fascinating new robot (or appliance). What negative aspects could cause significant drama?
Good luck!
Friday, March 29th, 2013 It’s been a while since we’ve done a prompt dedicated completely to poetry, so I thought we’d start there this morning.
Writing poetry the tanka way dates back nearly 1,200 years. The subject matter usually deals with nature and the seasons, or very strong emotions. It’s highly structured.
I like all kinds of poetry, but the structured kind holds a certain appeal to me because it’s often like fitting a puzzle together — and I really like puzzles. The “pieces” are the rules of the poem, usually a syllable count, but sometimes there can be others.
For example, the tanka is much like a haiku (I’ve a prompt about haiku, too) in that it requires a certain number of syllables and lines. But to be true to itself, the tanka must also use a simile, a metaphor and a personification.
Some definitions*:
| simile: |
a figure of speech comparing two unlike things that is often introduced by like or as (as in cheeks like roses) |
| metaphor: |
a figure of speech in which a word or phrase literally denoting one kind of object or idea is used in place of another to suggest a likeness or analogy between them (as in drowning in money) |
| personification: |
attribution of personal qualities; especially : representation of a thing or abstraction as a person or by the human form |
Merriam-Webster didn’t provide an example of personification, so here’s one from Toni Morrison in her book Love: A Novel:
“Pimento eyes bulged in their olive sockets. Lying on a ring of onion, a tomato slice exposed its seedy smile . . ..”
The other rules of the tanka are:
- It must contain five lines
- The first line contains 5 syllables.
- The second line contains 7 syllables.
- The third line contains 5 syllables.
- The fouth line contains 7 syllables.
- The fifth and final line contains 7 syllables.
Here’s my first try:
Waves crash like boulders…
“All hands on deck,” Captain cried.
“We’re lost,” the mate sobbed.
Fierce wind shears the mast in twain–
We are stone, sinking to death
It needs work, but it’s a start.
Here’s Your Prompt:
Write a tanka!
Suggestions: Think of your idea first and write the simile, metaphor and personifications without worrying about the syllable count. Once you’ve laid this groundwork, massage your passages to fit the structure. This could mean swapping out words or even adjusting the lines in the poem to fit the pieces.
Good Luck!
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* All definitions are from Merriam-Webster on line dictionary.
Friday, March 22nd, 2013  It’s that time of year: I’m getting bombarded by realtor mail.
It seems like that once the crocuses start to pop up in this neck of the woods, the realtors are out like vultures, looking for new prospects. I’m not in the market for a new house. I’m not interested in selling my current one.
Dear Realtors: please leave me alone.
Nonetheless, the topic is interesting for a writing prompt.
True Story: In the spring, when I was about two, my parents moved into a new house. Only a few days after the moving truck departed and they were busy with ripping up carpet and applying fresh paint to all the rooms, a knock sounded at the front door. My Mom opened it to find a young man, fresh on leave from the army. He’d come home to see his parents, but his key wouldn’t work in the door.
Imagine his surprise to learn that his parents had moved out, leaving him no forwarding address! (I’ve always wondered what happened to this young man.)
Here’s Your Prompt:
- Write about the serviceman who comes home for a visit, but finds his family packed up and moved away.
- Imagine this: a man is selling his house. He’s approached by an old woman soon after he puts it on the market. She doesn’t want to buy the house. She explains that she’s a former owner of the home tells him about something really horrific that happened there once. Write that story.
- Page through the real estate section of your local newspaper (or find one on line for some place abroad). Choose a home, castle, houseboat, etc. that catches your eye. Write a story about it.
- If you want to write poetry, write a poem about the feelings the image evokes.
- If you journal or are writing your memoirs, write a story about a place where you’ve lived. Take care in providing rich detail (without resorting to purple prose!) and how you feel about the place. Was it good or bad? Do you have happy memories or sad? Involve all five senses when telling the story
Good luck!
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Image © John Hix | Dreamstime Stock Photos
Friday, March 8th, 2013  I’m sitting here looking at at a giant list of “2013 Fun Goals” that the Husband of Awesome™ and I put together a few weeks ago.
This isn’t something we normally do, but I thought it might be fun. We wrote them down on easel-sized paper in different colored markers and posted it on the wall. The list includes things that require us to get out of the house (hike, fish, attend a minor-league baseball game) and things that we can stay home and do (make homemade ice cream, tie-dye t-shirts).
And as we come up with ideas for things we want to do this year, we’ll add them to the list.
The characters in your stories should have these kind of goals, too. It makes them more like real people, and it provides a way to include more drama in your novels by creating subplots out of these desires. This ‘minor’ activity might even provide the hook or inciting incident you need to begin your story.
For instance, suppose you write mysteries. Your detective is spending a Saturday morning at the gym, taking a yoga class for the first time, deciding whether or not it’s the kind of thing she might like. Halfway through the class, a scream erupts from the women’s locker room. Someone found a dead body–and now your story is off and running.
These goals can also provide some comic (or not so comic, if you wish) “relief” from the intensity of a dramatic novel. Perhaps your character just wants to get away for the weekend…and each time he makes plans to do so–or even starts out on the trip–the main plot interrupts (ramping up the drama again!) until he tries again.
(This kind of sub plot will need to be resolved before the end of the book.)
Here’s Your Prompt:
Create a list of five or eight activities or goals your character might want to accomplish (which are unrelated to the main plot). Jot down why your character is interested in these items–you can’t just wing it. There’s got to be a compelling reason–a back story–behind the idea, even if it’s simply “because I’ve never done it before.” Just make certain that kind of reasoning rings true for your character.
(Someone who is afraid of heights will probably not have bungee jumping on his list unless there’s a very good reason for it.)
Choose one goal, two at the most, which could compliment the plot. Brainstorm some ways your character could accomplish the goal.
Finally, write the scene. What might happen that could affect the main plot — positively or negatively — during this scene? Could it lead to another clue in a murder mystery? Could your character break a leg and not be able to be a bridesmaid for her best friend in a romance? Does it simply provide relief from a very intense plot?
Good luck!
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Photo: © Dana Rothstein | Dreamstime Stock Photos
Friday, March 1st, 2013
How to use a picture prompt:
Study it.
What do you see? Pay close attention to the background as well as the foreground. What jumps out at you? Write about that, and not the obvious.
On the other hand, if the obvious tells you a story, write that. (These are guidelines, not rules.)
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Photo © Micha Fleuren | Dreamstime Stock Photos
Friday, February 22nd, 2013  I was reading Military 1 today and came across an article about what Navy SEAL’s keep in their survival kits. These kits, which are used if a SEAL is caught behind enemy lines, are pretty impressive.
Each kit is only 4 inches by 2 inches by 1.5 inches, and comes in your choice of tan or green.
SEALs are able to use the kits as a digging tool, and a pot to cook food in (though not at the same time) – and they contain an impressive array of items: a mini, stainless-steel Multi Tool with pliers, wire cutters, file, and awl; button compass; LED Sqeeze light; fire starting kit; full-sized blanket; 2 x 3 signal mirror with aiming hole; bobby pins; safety pins; rope; first aid items and more.
They’ve got to be prepared for anything.
This got me thinking about our characters and what they might pack as “survival” items in our stories.
The lead character in my work in progress carries some specific demon-banishing items in her purse at all times, since lately, she’s been plagued by demons. Part of her kit includes holy water, holy chrism (oil) and salt which has been blessed by a priest. She uses these items to seal windows and doors, and in a pinch, they become weapons against the demons.
So, she’s always prepared, right?
Wrong. Where’s the drama in that? (She’s going to learn fairly soon that her kit no longer works.)
Here’s Your Prompt:
- Create a “survival kit” for your character. It could be as small and jam-packed as a Navy SEAL’s, or could be as mundane as the items your character habitually loads into his pockets every morning. Whatever it is: have a good reason for the items to be there. It’s got to be something your character carries with him every day. It’s too Deus ex machina if the items show up only when your character needs them.
- Think about all the ways those items can be countered. What logical things could happen to make the survival kit less than useful?
- Write the scene where your character realizes that all his or her prep has been for naught. Lead him or her through determination to get the job done, frustration after frustration of items in the kit not working, realization of failure, decision to quit and/or determination to succeed no matter what.
Good Luck!
Friday, February 15th, 2013  Question: Where do ideas come from?
Answer: They’re all around us.
But sometimes, they’re difficult to “see.” There’s a lot of visual stimulation around us, whether we’re visiting someplace new or sitting in our own writing spaces surrounded by the familiar.
Today’s writing prompt is a challenge. I want you to spend some time focusing on the objects around you and come up with a story (or a poem, or a memoir/journal entry, etc.) about one of the objects you see. Don’t let your eyes flick past the things you’ve viewed a million times a day. Instead, choose one to focus on, and think about some possibilities:
- How did you acquire it? Was it given to you by a friend? What if someone else had given it? (An enemy? A teacher? An alien? What kind of story would that make?
- How was it manufactured? What if it were made of something else? What if it had additional properties such as motion, magnetism, solubility, invisibility?
- Who owned it before you did? Your brother? Your cousin? Henry the VIII?
- Imagine this item in another location. What significance does the new location bring to the object? (Does it give you an idea for a story?)
Now…kick it up a notch by letting your imagination run wild. Start with the focus object, and continue to ask questions of it until the object of your study is no longer what you focused on. Instead of asking the “usual” questions, take a tangent… What does the color of it remind you of? How about the shape, or the texture? Maybe the gold-rimmed dinner plate which used to belong to your grandmother makes you think of the moon. Write a poem about the moon, or a story about a colony on the moon, or a fantasy about the moon’s pull on a witch’s spells.
Maybe the blue lamp is the same color of the ocean on a rainy morning. It makes you think of a secret at a beach house, a romance on an island, or a pirate shipwreck in Boston Harbor.
You get the idea.
Write that story (poem, vignette, journal entry, etc.) without the focus piece ever being mentioned in it.
Here’s Your Prompt:
- Easy: Write something (a poem, a short story, a scene, etc.) using your object of choice, coupled with some of the questions outlined above (or more of your own!) Make certain that item is the focus of the piece.
- Challenging: Start with a focus object, but transform it into a solid idea. Write something which was inspired by your focus piece.
Good luck!
Friday, February 8th, 2013 I had surgery earlier this week. I can’t drive (or walk, for that matter) until at least February 27.
Great! (I thought.) With all the commute time I’ll be saving to work, I can get more writing done.
And then my laptop broke.
I’m stuck using a crappy little mini (I actually used to be fond of) to do my writing. The keyboard is super-tiny, and it’s considered QWERTY, but the apostrophe/double-quote key is in the wrong place. I keep hitting returns when I punctuate my dialogue. (Bad, very bad for a writer.)
It’s slow going.
Like a character in one of my books, I’ve been stymied. (Although I have to admit, I do much worse things to my characters.)
The point is, this is creating some drama in my life (and the lives of the people very close to me) because it starts to spill over.
And life doesn’t stop. I’ve got commitments I need to take care of, so I have to work around the impaired walking and non-driving and crappy tech.
Just like a character.
Here’s Your Prompt
- In your next scene, make your character work for what he wants or wants to accomplish. Take away something important. Be devious about it: if you don’t want your character driving, don’t just take his license away, make them have foot surgery. 🙂 Make the stakes higher; take away something that not only your character needs, but what others depend on him for.
- If you journal, write about a time you were stopped in the pursuit of your goals by the loss of something (you missed a deadline, you failed a test, or lost something tangible) and how you worked around it to accomplished your desires. [This should not be a story of “oh, well, it was meant to be” or “I was better off not doing it!”]
Good luck!
Friday, January 11th, 2013 A long time ago I resolved not to make New Years resolutions.
I’m not against trying to do better. I just don’t like the system: For the last month of the year or so, people start talking about what they’re going to do next year: lose weight, read more, eat more vegetables, stop kicking the cat.
Whatever.
And for a month or so, people binge eat, swear off books, eat less vegetables and kick the cat more…because they know in a few weeks they’ll have to go cold turkey. (Never realizing, of course, that by Valentine’s Day, 75%* of all those resolutions will be long broken anyway.)
* I made up that statistic. But you get my point.
And besides, it’s all so arbitrary. If you want to stop kicking the cat, do it NOW. Why wait?
That being said…
I do like to set goals for myself: reachable, measurable goals which are wholly under my control. (If they’re out of my control, they’re not goals, they’re dreams. Don’t get me wrong: dreams are awesome. But they often rely on outside influences to obtain them.)
If I miss a goal, I’ve only got myself to blame…
…unlike really good fiction.
Goals are the building blocks of stories. The hero has a list of goals he wants to achieve. The protagonist has a list of goals he wants to achieve (often at odds with the hero’s goals). Without this conflict, the story is boring.
Often, the hero’s most basic goals, let’s say, leaving a room, are stymied by the protagonist — who locks the door, or shoots the hero, or reveals a bit of information to the hero that is so inconceivable, that the hero is frozen in place (by shock, indecision, heartbreak, anger, etc.). No matter what, the hero cannot simply get up and walk out of the room.
Here’s Your Prompt:
- Make a list of 3 – 5 goals you want your hero to accomplish. (If you’re writing a short story, stick with 1 goal, 2 at the most.)
- Make a list of 3 – 5 goals for the antagonist to accomplish: goals which by their very nature are at odds with the hero. Remember: at the beginning of the story, the antagonist doesn’t know what the protagonist’s goals are, so it’s cheating if the goal is a direct contradiction of the hero’s.
For example:
Your protagonist might be a retiring Firefighter looking to purchase his neighbor’s 10-acre farm on which to live out his golden years.
The real estate agent handling the transaction finds out the land contains lucrative mineral deposits, and puts in a bid for himself instead. Prices for the farm escalate into a bidding war as the realtor decides he wants to own the property for its potential value.
(So, the protagonist’s goal is to buy some property to retire on. The antagonist’s goal is NOT to stop him from retiring with property, but to invest money in a property with possible lucrative minerals. It just so happens that in this case, the property is one and the same.)
- Choose one goal for each of them, and write the scene where the two goals conflict.
Good luck!
Friday, December 14th, 2012 Give your character a deadline and you’ve got instant tension in a story. And without tension, you’ve got no story (or maybe no good story).
This works in real life, too.
Case in point: I gave myself a deadline of tonight to have all of my Christmas prep done: present buying, gift wrapping, house cleaning, card sending, etc. Talk about tension! And tonight’s a mad scramble: I’ve got about eight more presents to wrap and 30 Christmas cards to get out the door.
And I’ve come pretty close to my goal. But, alas, there’s one mail-order item that hasn’t arrived yet, and one more gift that hasn’t been bought.
Still: the next 10 days are going to be pretty relaxing around here. And that was my goal, to get it all done so that I could spend some actual time enjoying the holiday instead of making a mad dash in the weeks that lead up to it.
(You’ll want to give your character more dire consequences, however, if you want some real drama in your story. Kidnap his girlfriend and give him five hours to get the ransom money. Have a job hang in the balance, or a long-standing relationship, or a life.)
Here’s Your Prompt:
- Write a scene where your character is presented with some kind of deadline. Make the stakes high, and have your character really struggle to meet it. Don’t let the answer to the problem come from an outside resource.
- Write the “consequences” scene if your character doesn’t meet her deadline.
- Journalers: write about a deadline you made in the nick of time. Talk about what would have happened if you hadn’t have made the deadline.
- Write a poem about figurative deadlines…fall turning into winter, the end of a long life, a road that goes nowhere. Invoke the feeling of a deadline, but don’t use the word deadline.
Good luck!
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Writers - Maryland Writer's Assn.
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