Thursday, November 28th, 2013
Friday, November 22nd, 2013
I’m sitting in the doctor’s office as I type this.
When I walked in, there were only there were only three people in the office. And now, forty minutes later…I’m still sitting in the waiting room, and there’s not a seat to be had.
Seriously. Standing room only.
The funny part: the expression on each newcomer’s face when they walk through the door. Most people are surprised at first. Then comes annoyance. There are quite a few angry faces, too.
(I’m thinking of Mrs. Potato Head in Toy Story right now, where she packs Mr. Potato Head’s angry eyes, just in case he needs them.)
I’m laughing. If I’d been one of the entrants facing a backed up schedule and nowhere to sit, I’d probably be sporting my angry eyes and a tight-lipped frowny face, too. Instead, I’ve been joking with the seated folks sitting close to me.
We’re watching it all unfold and waiting for an explosion. That should be fun.
Here’s Your Prompt:
- Write an angry scene. Pay attention to the expressions on your character’s faces, as well as dialogue or actions. Stay away from cliches (a mouth that’s simply a slash, eyes that flash, etc).
- Write a happy scene. As above, pay attention to expressions, not just dialogue and body language. Avoid sparkling eyes, wide or curved mouths and white teeth.
- For practice, set aside some time to describe the faces of the characters in your manuscript. (If you write memoir or are writing a family history, pick the faces of people you know). Now picture these people angry or happy (or some other emotion). Take time to describe not just eyes and mouth, but brow and chin. Wrinkles. Scars. Moles and warts.
- Write a poem about a person who is angry or happy (or, you decide what emotion), but don’t use facial expressions to convey the emotion.
- Write an essay about a time you were extraordinarily angry or upset. Write about your facial expressions…from the inside. Were your eyes hot and stinging? Was your brow so furrowed the muscles were tight? Remember, too, how your expression felt when the situation was resolved. Write down those feelings, too.
- As above, but use the “inner feelings” of your expressions in your manuscript for your point of view character.
Image Copyright © Dawn Hudson | Dreamstime Stock Photos.
Wednesday, November 20th, 2013
I’ll be in Timonium, MD Thanksgiving Weekend for the last-ever Darkover Convention.
I don’t expect to have a table, but I’ll be carrying paperback copies of my novel and short stories from my publisher for you to touch and feel (or buy). 🙂
Here’s my schedule:
4:00 – 5:00PM: Military SF – Why Should You Read It? – What does Military SF contribute to the SF genre? Is its contribution more than merely entertainment value? Are there stories or themes that Military SF tells better than other SF sub-genres? Discussion should include examples and recommendations.
7:00 – 8:00PM: “Show, don’t tell!” – This is an age-old piece of advice from writers. What the heck does it mean? Is it important for writers (including screenwriters and playwrights) to understand this advice? If so, why?
10:00 – 11:00am: Katherine Kurtz: The Deryni Effect – When Ballantine began its Adult Fantasy line, Katherine Kurtz’s Deryni Rising was their first title by a modern Fantasy author. Authors and fans discuss why they think the Deryni series has been so popular and received such widespread acclaim.
12:00 – 1:00PM: Jaelle’s Memorial – Held in Atrium (Just Attending)
4:00 – 5:00PM: Autograph Session
5:00 PM – Broad Universe Reading with Danielle Ackley-McPhail, Margaret Carter, Meriah Crawford, Elektra Hammond, Erika Satifka, Vonnie Winslow Crist, Leona Wisoker, and Sarah Pinsker.
6:00 – 7:00PM: The “Woman with a Sword” Phenomenon – Take your pick: from Robert E. Howard’s “Red Sonya” (a 16th Century Russian warrior-woman) to Marvel’s “Red Sonja” (a swordswoman of the Hyborian Age); from C.L. Moore’s “Jirel of Joiry” (a wandering Fantasy swordswoman) to J.A. Pitts’s “Sara Beauhall” (a Urban Fantasy lesbian blacksmith) and Revolution’s “Charlie Matheson”. And it seems that dozens of new book covers feature pictures of sword-wielding, leather-clad women. Why the attraction? Is “the woman with a sword” motif a guaranteed “winning combination” for a writer or an artist?
12:00 – 1:00PM: Short Stories vs. Novels: Does Size Matter? -How does “word count” affect the writer’s craft? Writers discuss different strategies and goals when writing short vs. long fiction. Pinsker(M), Ackley-McPhail, Crist, Harmon, Sonnier.
I hope to see you there! Please drop by and say hello if you’re around.
The Con Needs Volunteers!
If you can help out, see this Darkover Volunteer Page. Every hour you volunteer, can earn you a dollar off the admission to next year’s First Annual Chessiecon.
Friday, November 15th, 2013
I’m an eavesdropper. I admit it.
Wherever I go, I’m tuning in to the things that are being said around me.
I’m a snob, though. I generally don’t listen in on conversations between, for instance, the barista and the guy in front of me buying coffee. The guy buying coffee is passing time, waiting for his extra foamy tallboy. The barista is paid to be charming.
That conversation? Worthless. Usually.
I might listen in if there’s no one else around, but I’d rather listen to the old folks behind me, talking in hushed whispers. Or the goth couple hanging out in the corner arguing.
I love it when I’ve already sat down and gotten my coffee. (Black thanks, I’ll add a bit of cream for myself.) Because if I’m sitting, I can take notes. Awesome.
Conversation is great fodder for scenes. It can prompt entire stories.
Here’s Your Prompt:
(And your homework!)
Make time to sit in a place where you can overhear what other people are saying. With luck, you’ll start hearing things in the middle of the conversation.
After you’ve written a few lines, stop listening and re-read what you’ve written down. What story does it spark? Write it.
If you don’t like the first conversation, go listen to another. This time, stop transcribing when something catches your fancy.
If you can’t get out, do an internet search for “overheard conversations.” There are tons of them out there. Ignore the context and the celebrity of who said what. Find a conversation you like, and write from there.
Friday, November 8th, 2013
The Husband of Awesome™ and I closed up the garden last weekend. We wrapped up the delicate figs with blankets, hoping to baby them over until the spring. We gave the lawn a last once over, hoping it won’t need to be cut again this year. I hacked about a bazillion volunteer Rose of Sharon bushes out of the front flower bed.
There’s more to do, fertilizing and getting empty pots back into the shed, for instance. We just ran out of time.
I love tending the garden, whether it’s spring–and the ground is ripe for rebirth–or fall, when blooms are dying off and everything is ready for sleep. I love the dirt. (And puttering is a great time to noodle over plots.)
Gardens are so full of metaphor…and wonderful inspirations for writing.
Here’s Your Prompt:
- Write about the sending down of roots (or balling up of them -if the plant is trapped in a pot). Write about making roots of your own, or pulling up your roots and moving on. Write about severing your roots.
- Write about a character that’s been transplanted. If you journal, write about a move you made.
- Write about a garden in the spring, or the summer, or the winter, or the fall. Carefully choose imagery to depict the season. Does a tree look the same in summer as spring?
- Weeds. Write about pulling weeds in a garden, or culling the weeds from your life. Write about a character living in the weeds. Write about weed. 😉
- Is former US Poet Laureate Billy Collins correct, “The soil is full of marvels…”?
- What grows in the garden of earthly delights?
Image Copyright © Mariykaa | Dreamstime.com. Used by permission.
Friday, November 1st, 2013
Reuben Sandwich. Photo by Ernesto Andrade.
November 3 is National Sandwich Day!
Yay for sandwiches! I love a good ‘wet’ sandwich: soft, fresh bread, good cuts of meat–and for cold sandwiches–heavy on the pickles and hots. My favorite hot sandwich is a Reuben: corned beef and Swiss cheese on rye with lots of thousand island dressing and sauerkraut. Yum!
Novelist Lawrence Sanders in his book “The First Deadly Sin” describes his detective eating a ‘wet sandwich’ over the sink, accompanied by a bottle of beer. It’s the first time I’d heard the term.
Sanders goes into such loving detail describing the making and eating of this sandwich–taking nearly an entire page to do so, if I remember correctly–that my mouth watered the entire time I was reading.
That’s good writing. (Or maybe it’s my Pavlov response to sandwich descriptions!)
Here’s Your Prompt:
- Write a scene in which one of your characters eats. He doesn’t have to eat a sandwich. If you’re writing fantasy, it could be stew, or bread and cheese. If you’re writing contemporary, maybe it’s wings or tapas. The point is: spend time crafting a few sentences which will make your reader’s mouth water. Don’t spend a page doing it: that was Sanders’ schtick. Write it your way.
- Write a scene where “the big reveal” is made during a meal. Don’t let the dialogue carry the scene. Bring in the setting: the tablecloth and silver salt and pepper shakers, or, the scarred wooden table and broken crockery.
- Write a “long” haiku of four of five stanzas describing the perfect sandwich and building it. When you’re done, see if you can whittle it down into one stanza, but still keep the ‘flavor’ of the long poem.
- If you journal, write family history, or enjoy memoir, write about a memorable meal. Don’t forget to include descriptions of the food.